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Signal Proccesors

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QSC DCM 30D

Digital Cinema Proccesor

Features

  • Real-time software control via USB

  • Bi-amp, tri-amp and quad-amp configuration

  • Analog inputs or AES/EBU

  • User defined auxiliary outputs

  • Provides Monitor and Crossover functions in one box

  • Fast system setup time (especially in megaplexes with similar rooms)

  • Simple connections with QSC DataPort connectivity. Only one cable per amplifier needed (contains two signal inputs, two signal returns, power on/standby control and two channels of load monitoring)

  • Digital Signal Processing for state-of-the-art sound quality (high dynamic range)

  • Exclusive "Load Fault" detection indicates speaker system or wiring faults

  • Simple crossover adjustments via PC with password control for tamper proof system adjustments

  • Lower system cost than existing quad-amp solutions

  • Compatible with all current sound formats; 3 to 5 screen channels, 5.1 - 7.1

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QSC DCM 100

Digital Crossover/Monitor

Features

  • Analog inputs accept audio from cinema processors or other 8 channel analog audio sources

  • QSC Intrinsic Correction DSP Settings for optimal performance of QSC cinema speakers

  • Booth monitor with front panel control for easy operation

  • Passive or 2-way crossovers for three screen channels

  • Compatible with all existing QSC DCA amplifiers

  • Bypass mode - routes audio around failed components to ensure that the show will go on

  • Control and monitoring via Ethernet including full SNMP support

  • Continued development of software and firmware will add new capabilities via easy updates

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QSC DPM 100/100H

Digital Processor/Monitor/Crossover

The DPM builds on the legacy of QSC’s DCM and DCP products to provide all signal processing and monitoring functions for Digital Cinema in a single integrated system. Designed to be used with QSC’s Digital Cinema Amplifiers (DCA) and featuring advanced Intrinsic Correction™ settings for QSC’s Digital Cinema Speakers (DCS), the DPM optimizes loudspeaker performance while simplifying cinema sound system wiring and configuration. The DPM is configurable for passive and bi-amp operation and 2 or 4 surround channels (5.1 or 7.1).

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Features

  • Ten digital inputs for 5.1 and 7.1 soundtracks and HI/VI

  • HDMI input/output for non-sync sources (DPM 100H)

  • Dolby Digital Plus™ and DTS-HD® (DPM 100H)

  • Control and monitoring via Ethernet including full SNMP support

  • Serial automation control via RS-232

  • Analog Inputs for film processors, non-sync and Mic/Line

  • Master volume and full 1/3 Octave Graphic EQ on all channels (except subwoofer)

  • Booth Monitor loudspeaker and headphone jack

  • Digital Loudspeaker Crossovers — three passive or bi-amp screen channels

  • Compatible with all existing DCA amplifiers — thousands of DCA-equipped screens are ready for full network monitoring and control

  • Bypass mode routes audio around failed components to ensure that the show will go on

  • Intrinsic Correction™ for DCS loudspeakers for optimal “out of box” performance and reduced set-up time

  • Continued development of software and firmware will add new capabilities to the existing hardware with easy firmware updates

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QSC DPM 300/300H

Digital Processor/Monitor/Crossover

The DPM builds on the legacy of QSC’s DCM and DCP products to provide all signal processing and monitoring functions for Digital Cinema in a single integrated system. Designed to be used with QSC’s Digital Cinema Amplifiers (DCA) and featuring advanced Intrinsic Correction™ settings for QSC’s Digital Cinema Speakers (DCS), the DPM optimizes loudspeaker performance while simplifying cinema sound system wiring and configuration. The DPM 300 is configurable for passive, bi-amp, tri-amp and quad-amp operation and 2 or 4 surround channels (5.1 or 7.1).

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Features

  • Ten digital inputs for 5.1 and 7.1 soundtracks and HI/VI

  • HDMI input/output for non-sync sources (DPM 300H)

  • Dolby Digital Plus™ and DTS-HD® (DPM 300H)

  • Control and monitoring via Ethernet including full SNMP support

  • Serial automation control via RS-232

  • Analog Inputs for film processors, non-sync and Mic/Line

  • Master volume and full 1/3 Octave Graphic EQ on all channels (except subwoofer)

  • Booth Monitor loudspeaker and headphone jack

  • Digital Loudspeaker Crossovers — three passive bi-, tri-, or quad-amp screen channels

  • Compatible with all existing DCA amplifiers — thousands of DCA-equipped screens are ready for full network monitoring and control

  • Bypass mode routes audio around failed components to ensure that the show will go on

  • Intrinsic Correction™ for DCS loudspeakers for optimal “out of box” performance and reduced set-up time

  • Continued development of software and firmware will add new capabilities to the existing hardware with easy firmware updates

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QSC DCP 100

Digital Cinema Processor

Features

  • Digital inputs for up to eight channels of audio

  • Network control and monitoring via SNMP

  • Serial automation control via RS-232

  • Analog Inputs for film processors, non-sync and Mic/line

  • Master volume and full 1/3 octave graphic EQ on all channels

  • Booth monitor with touch screen control for easy operation

  • Digital loudspeaker crossovers - three passive or bi-amp screen channels

  • Compatible with all existing DCA amplifiers - thousands of DCA equipped screens are ready for full network monitoring and control

  • Replaces the DCM-1, DCM-10 and DCM-10D for digital projection retrofits

  • Dual power supplies with load sharing for seamless operation in the event of failure

  • SD memory card for quick unit swap - restores all settings

  • Multiple bypass modes routes audio around failed components to insure that the show will go on

  • DCP Manager and DCPNet PC-based application for set-up, control and monitoring

  • DCP Connect mobile app for iPhone and Android provide control and monitoring capabilities via smart phone

  • DSP presets for DCS speakers for great "out of box" performance and reduced set-up time

  • Crossovers support three passive and active 2-way systems

  • Easily integrates with existing film processors for dual film/digital projection systems

  • Continued development of software and firmware will add new capabilities to the existing hardware with easy firmware updates

  • The DCP 100 is designed expressly for the needs of D-Cinema sound systems

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QSC DCP 300

Digital Cinema Processor

Features

  • Digital input for up to 16 channels of audio

  • Networked audio I/O via CobraNet™

  • Network control and monitoring via SNMP

  • Serial automation control via RS-232

  • Analog Inputs for film processors, non-sync and mic/line

  • Master volume and full 1/3 octave graphic EQ on all channels

  • Booth monitor with touch screen control for easy operation

  • Digital loudspeaker crossovers

  • Three or five screen channels - passive and 2-, 3-, or 4-way crossovers

  • Compatible with all existing DCA amplifiers- thousands of DCA equipped screens are ready for full network monitoring and control

  • Dual power supplies with load sharing for seamless operation in the event of failure

  • SD memory card for quick unit swap - restores all settings

  • Multiple bypass modes routes audio around failed components to insure that the show will go on

  • DCP Manager and DCPNet PC-based application for set-up, control and monitoring

  • DCP Manager and DCPNet PC-based application for set-up, control and monitoring

  • DCP Connect mobile app for iPhone and Android provide control and monitoring capabilities via smart phone

  • DSP presets for DCS speakers for great "out of box" performance and reduced set-up time

  • Crossovers support active 2-, 3-, and 4-way systems as well as passive systems

  • Easily integrates with existing film processors for dual film/digital projection systems

  • CobraNet offers digital non-sync routing and future expansion capability

  • Continued development of software and firmware will add new capabilities to the existing hardware with easy firmware updates

  • The DCP 300 is designed expressly for the needs of D-Cinema sound systems

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QSC CM-8E

Booth Monitor

Features

  • Eight Channel Balanced with Bypass

  • Compact 2-rack unit

  • Monitoring of processor or amplifier outputs

  • All inputs and outputs are balanced

  • Input levels for processor and power amp monitoring can be adjusted independently

  • Bar graph display can be calibrated to the cinema reference level so projectionists can see the accurate auditorium levels

  • DB25 and HD‐15 connectors for inputs and outputs

  • Ethernet RJ45 connector allows remote viewing of bar graphs and live audio streaming to server rooms or NOCs

  • Monitor biamp systems with up to four subwoofers

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QSC CM-10D3

Booth Monitor

Features

  • Ten channel booth monitors with a tri-amped digital crossover

  • Compact 2-rack high unit

  • Eight or ten channels for monitoring processor or amplifier inputs

  • All inputs and outputs are balanced

  • Trimpots for adjustment of processor and amplifier levels

  • Trimpot for bar graph display may be calibrated to the reference level for your theatre

  • Twenty-five (25) pin D-sub connectors

  • Removable Phoenix style terminal blocks

  • HD15 connectors for VGA cables connections

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QSC USL JSD-60

Available models: JSD-60D, JSD-60-DN, JSD-60DX

The JSD-60 Digital Cinema Processor is cost-efficient and specially designed for digital cinema applications. The JSD-60 includes six standard formats, plus one that is completely configurable. A built-in bypass audio circuit ensures that the presentation continues.

 

NEW Features

  • Parametric Equalization

  • Rear Subwoofer

  • Optional BLU Link

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Features

  • State-of-the-art 96kHz digital processing

  • Digital formats include an eight channel AES/EBU input, one coax (S/PDIF) and one TOSLINK optical, both with optional Dolby Digital® and DTS® decoding

  • Analog formats include a six channel balanced input, stereo unbalanced input with matrix decoding, and one microphone input with phantom power

  • Outputs include eight channels of balanced analog audio, plus HI/VI-N balanced outputs

  • Optional three channel bi-amped digital crossover

  • One fully configurable format button to address such issues as audio level changes or 5.1, 7.1 switching

  • Audio/Video synchronization delay configurable for each format (0—190ms) plus a surround delay (0—150ms)

  • Three automation inputs include one DB25, one RS232 and one RJ45 Ethernet

  • Remote monitoring via 10/100Mbps Ethernet and local configuration via a USB port on front panel

  • SD memory card to backup and store all settings

  • Bypass supports all inputs

  • Compact one RU chassis

  • Auto EQ included

  • Drive-in Support included

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QSC USL JSD-100

Available model: JSD-100M

The JSD-100 Digital Cinema Processor is an eight-channel digital audio processor with the capability of expanding up to 32 channels. Hearing impaired (HI) and visual impaired narration (VI-N) channels included.

 

Features

  • State of the art 96k sample per second hardware

  • Inputs includes two COAX with AC3 and one channel TOSLINK with AC3 when optional DI-84 board is installed, eight standard channels of AES-EBU audio and sixteen channels AES-EBU with optional DI-84 card. Analog inputs include one PA microphone, one Calibrated microphone, one two channel and one eight channel input

  • The Outputs are 8 Channels of Main Out (Balanced Analog Audio), 8 Channels of Monitor Out (Balanced Analog Audio), Visual Narrative (VI-N) Balanced and Hearing Impaired (HI) Balanced Out

  • Two fully configurable format buttons to address such issues as audio level changes and three or five stage channels

  • Control for the unit includes one Ethernet RJ45 @ 10/100 one USB, one RS232 on a DB9 connector for computer configuration and one Automation control over a DB25

  • Power supply for main and backup power with a built in “Sleep Mode” which conserves power after a selectable amount of time of no audio activity

  • One AES-EBU Bypass for Audio SD Memory Card to backup and store all settings

  • One Global Time Delay for video and audio synchronization @ 0-250ms

  • One Surround Delay @ 0-150ms

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QSC USL DAX-202

Digital HI/VI - N Converter

DAX-202 is a two-channel digital to analog audio converter. The DAX-202 has been designed to connect any digital server and IR or FM transmitters for Hearing Impaired and Visually Impaired-Narrative channels. Internally the user may select AES-EBU channels 7/8 or 15/16, or any external BNC input. Using the cinema automation, the user may select the HI channel from the cinema processor or the servers audio. Dual 25 pin D-sub connectors one with DCI pin-outs and one with DMA-8 pin-outs. The DAX-202 compliments USL’s line of digital to analog audio converters such as the DAX-602, DAX-802 and ECI-60.

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Features

  • Input Voltage: 12VDC, 1A from an external transformer

  • HI/VI-N AES Source: -20dBFS reference

  • Internally selectable choice between:

  • Dolby 7/8

  • DCI 7/8, 9/10, 13/14, 15/16 or

  • BNC

  • HI Analog Input: 300mVrms = 0dBr via Phoenix type connector

  • HI Source selection: via Phoenix type connector

  • Analog Outputs: 300mVrms = 0dBr via Phoenix type connector

  • Frequency Response (all inputs): 20-20kHz +/- 0.5dB

  • Noise (A wtd’d) (all inputs): <-80dBr

  • THD (all inputs): <0.005%

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QSC USL XTM-300A

Bi-amp Crossover

The XTM-300A is an analog bi-amp crossover for left, center and right channels. The unit is configured for individual requirements by simply setting banks of DIP switches and adjusting speaker levels using the potentiometers provided. Screen and horn equalization is also selectable by DIP switches to match the auditorium's needs.

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Bypass circuitry is provided and adjustable to match the normal volume level.

 

Specifications

  • Normal bi-amp output level adjustments

  • Bypass level adjustment

  • Normal/Bypass switch

  • Normal/Bypass LED indicators

  • Screen and horn equalization

  • Eleven selectable frequencies

  • Four selectable time delays

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